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Night Flights: New work by Joanne Julian

  • Preview Champagne Reception, Saturday, August 31 from 4-7pm

  • Enjoy complimentary champagne and hors d’oeuvres during a preview of the exhibition.

  • $10., (Members Free)

  • First Fridays, Free Community Opening: Friday, September 6 from 6-9pm

  • Film and Talk: Sunday, September 15 at 3:00pm 

  • Exhibit Dates: August 31 thru September 26, 2019

Julian has studied and traveled in Asia, which is immediately noticeable in her work. Critic Robert McDonald, past senior curator of the La Jolla Museum of Contemporary Art, says, "She has developed a reductive style," and adds, "Critics have often identified a Zen quality in her work...a gentle merging of natures, a unification of humanity and all living things, of yin and yang, the discipline and spirit of Taoist painting."  McDonald also wrote, "The works of Joanne Julian remind us that drawing is a physical enterprise. With the sureness of an athlete or a dancer, she has always tamed energy with grace. A sense of energy in motion, irrespective of imagery, dominates her works. They are both refined and vigorous, dramatic and beguiling, complex and reductive." He concludes that her works are truly exceptional, saying, "They are visual, yet they also have qualities associated with music and dance. They express graphically the energy that informs all phenomena."

Author Betty Ann Brown sees Julian as "a modern American master of haboku ('flung ink' style.) Usually associated with Zen Buddhism, haboku was practiced by monks who, after years of arduous training, sat in meditative repose until they sensed a oneness with the universal life force. The monks then moved from meditation to art allowing the force to flow through them, through the brush and onto the paper in rapid dexterous strokes."

Julian has mounted 20 solo exhibitions and over 60 group exhibitions nationally. She works often on a commission basis on site-specific pieces for international corporations. Critical reviews, essays and reproductions of her works have been published in The Los Angeles TimesThe San Francisco ChronicleArtweekLos Angeles Herald ExaminerImages and IssuesArtsPress TelegramArt SceneArt in AmericaForum 2001, and Perspectives among others.

Joanne Julian was born in Los Angeles. She received her BA and MA degrees in sculpture and printmaking from California State University, Northridge and her MFA degree in painting from Otis Art Institute of Parsons School of Design. She has been a faculty member at College of the Canyons in Valencia, CA since 1973 where she was Chair of the fine arts department and Gallery Director. She has also taught and lectured at Art Center College of Design, Glendale College, University of California, Los Angeles, and California State University, Northridge. She has exhibited at Jan Baum Gallery [Los Angeles], Thomas Babeor Gallery [La Jolla], Laguna Beach Museum of Art, Newport Harbor Art Museum, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, and many others. Public collections of her work include Atlantic Richfield, Bank of America, Grand Wailea Resort, Home Savings of America, The Irvine Company, Nestle, Nikko, Price Waterhouse, and Teneco Oil.

ARTIST STATEMENT:

My work is about restraint as well a spontaneous expression.  It is about grace and violence.  It begins with quiet order and climaxes in wild celebration. It is the way I think I am, and how I wish to be.  Making art for me means perpetually bridging the gap between form and content until they both merge into the truest vision of myself.  The concerns of my art are those of clarification and passion.  I do not wish to tell stories or illustrate.  I seek to evoke an emotional response from the viewer, perhaps no different from what I wish to achieve with the rest of my life.

I wrote this statement nearly 35 years ago, and much of it still applies. Although most people know me as a no-nonsense, practical, organized animal, for me, today’s world also requires a good measure of dreaming, and even more courage.   I want to experience as well as provide that venue and take a soulful ride along with the viewer.

-Joanne Julian

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Maiza Hixson at CabadaGray Gallery

CABADAGRAY Gallery located in the Vita Art Center

  • Preview Reception: Saturday August 31 from 4-7pm

    (Free to Vita Art Center Members or $10 for non-members)

  • First Fridays, Free Community Opening: Friday, September 6 from 6-9pm

  • Exhibit Dates: August 31 thru September 27, 2019

  • Gallery Hours: Wed-Saturday from 10am-4 p.m. or by appointment.

SUSTAINABLE FUTURE: A Micro-utopian Exhibition features Hixson's acrylic ink paintings on paper that draw inspiration from nature, pop culture, medical illustration and feminist science-fiction. 

Artist Statement: 

With this series of paintings, I conflate the environmental landscape with emotional change. My works are speculative climates that offer abject beauty and sublime mutation. I believe that nature’s complexity is its own civilization. It is ambivalent to us, and like a human cell, there is no end to its tyrannical limits and flow. The hallucinatory power of a bougainvillea bush is on par with Facebook algorithms and parasites and lysmata shrimp, a broken heart, etc. The colors of some flora and fauna appear artificially enhanced, as if glowing from a computer screen. This is the visual effect that I seek to recreate on paper. 

Maiza Hixson Biography:

Maiza Hixson is an interdisciplinary artist, writer and Doctoral Scholars Fellow at UC Santa Barbara. She has exhibited and performed widely at such venues as: Highways in Santa Monica; the Brooklyn Museum of Art; Baltimore Contemporary; Soap Factory, Minneapolis; Portland Institute for Contemporary Art; Southeastern Center for Contemporary Art; Haverford College; University of the Arts, Philadelphia; the Delaware Center for the Contemporary Arts, and 21C Museum. She is an affiliate of Independent Curators International. Her works are included in the collections of: 21C Museum, Will Oldham, Larry and Ladonna Shapin, Joan and Kurtwood Smith, Dr. Jennifer Sorkin, Patrick Stallard, Aspect Chronicle of New Media Art and the Santa Barbara Center for Art, Science and Technology. Hixson was featured on the EMMY Award-winning PBS TV show Articulate with Jim Cotter and her curatorial projects have been presented at Towson University in Baltimore, MD; Rosenwald-Wolf Gallery at the University of the Arts, Philadelphia; and Contemporary Art Center, Cincinnati. Prior to receiving her MFA at UCSB in 2019, she studied at the School of the Art Institute of Chicago and received her MA in Critical and Curatorial Studies in 2005.

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